01 / Cards
Letterpress Business Cards
Double-thick cotton stock, a deep bite and optional painted edges. The smallest, most tactile part of a brand.
ExploreIstanbul · Since 1973
Business cards, wedding invitations and brand stationery, pressed sheet by sheet into cotton paper on half-century-old platen presses. From our Kadıköy studio to anywhere in the world.
What we press
Every job passes through the same presses and the same pair of hands, whatever the quantity.
01 / Cards
Double-thick cotton stock, a deep bite and optional painted edges. The smallest, most tactile part of a brand.
Explore02 / Wedding
Full suites — invitation, envelope, menu, place card and wax seal — with calligraphy and foil where it belongs.
Explore03 / Corporate
Letterheads, envelopes, labels and packaging for hotels, restaurants, architects and fashion houses.
ExploreThe studio
Lâle Matbaası opened in 1973 as a small typesetting shop in Kadıköy. We are still on that street, still running our grandfather’s 1958 Heidelberg platen press alongside two Chandler & Price presses that joined it later.
We make our own polymer and magnesium plates and mix every ink by hand. That is why colour on a Lâle print is tuned to the paper and to the humidity of the day — no two runs are ever quite identical.
Techniques
Most projects combine them: a letterpress base, foil on top, colour along the edge.
Technique 01
The plate is inked and pressed into the sheet, leaving a bite you can feel. Soft cotton paper lets the impression sit deep enough to cast a shadow.
Technique 02
A heated die transfers metallic foil onto the sheet. Gold, silver, copper and matte colours — the only real answer on dark stock, where letterpress ink disappears.
Technique 03
An impression with no ink at all — read only through light and shadow. The quietest way to place a monogram on a cover or a card.
Technique 04
Two sheets bonded into one thick body, then colour applied along the cut edge. It is the detail people notice first as a card changes hands.
Process
You know what happens next at every stage, from first email to delivery.
We agree on quantity, paper, colours and date. A detailed quote follows within 24 hours.
We print your artwork or design from scratch. Every file goes through a pre-press check first.
A polymer plate is made and a single proof is pressed on your chosen paper for approval.
Ink is mixed by hand, the press is set, and sheets are fed one at a time. A control sheet is pulled every 50 impressions.
Edge painting, sealing and trimming are completed; everything is wrapped in acid-free paper and boxed.
Testimonials
Lâle has printed our cards for three years. In meetings, the conversation always starts with the paper before anyone reads the name.
They prepared three separate paper proofs for our suite. We only understood which one was right once we held them — that patience matters.
We rebuilt the hotel’s entire stationery set. Everything, including shipping to Amsterdam, landed on the promised date.
Journal
What we have written about paper, ink and timing.
The 500-year-old meeting of plate, pressure and cotton paper — how it differs from digital printing and when it is the right choice.
Read the pieceFrom first sketch to wax seal — a realistic month-by-month production calendar for a letterpress invitation suite.
Read the pieceWhat changes between 300 gsm and 900 gsm, why cotton behaves differently, and when edge painting is worth it.
Read the pieceLet the next impression be yours
Artwork ready or not, send us the quantity, paper and date you have in mind — a detailed quote follows within 24 hours.
Request a Quote