Istanbul · Since 1973

It leaves an
impression.

Business cards, wedding invitations and brand stationery, pressed sheet by sheet into cotton paper on half-century-old platen presses. From our Kadıköy studio to anywhere in the world.

Founded
1973
Projects
4,200 +
Shipped to
38 countries
Printed
By hand
A printer rolling ink across a letterpress plate by hand
Est. 1973Kadıköy

What we press

Three disciplines, one standard

Every job passes through the same presses and the same pair of hands, whatever the quantity.

Hands holding a blank charcoal-black card stock

01 / Cards

Letterpress Business Cards

Double-thick cotton stock, a deep bite and optional painted edges. The smallest, most tactile part of a brand.

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Wedding stationery suite arranged on fabric

02 / Wedding

Wedding Stationery

Full suites — invitation, envelope, menu, place card and wax seal — with calligraphy and foil where it belongs.

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Close-up of beige linen-textured paper

03 / Corporate

Corporate Stationery

Letterheads, envelopes, labels and packaging for hotels, restaurants, architects and fashion houses.

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A classic black cast-iron printing press in the studio

The studio

Three generations, one street, the same presses

Lâle Matbaası opened in 1973 as a small typesetting shop in Kadıköy. We are still on that street, still running our grandfather’s 1958 Heidelberg platen press alongside two Chandler & Price presses that joined it later.

We make our own polymer and magnesium plates and mix every ink by hand. That is why colour on a Lâle print is tuned to the paper and to the humidity of the day — no two runs are ever quite identical.

  • Cotton paper: 100% cotton, acid-free, 300–900 gsm
  • Hand-mixed ink: Pantone matched, soy-based
  • Sheet by sheet: Every sheet fed and checked by hand
Meet the studio
52
Years of practice
4,200+
Projects printed
38
Countries shipped to
24 h
Quote turnaround

Techniques

Four things we can do to a sheet of paper

Most projects combine them: a letterpress base, foil on top, colour along the edge.

Macro photograph of metal type letters

Technique 01

Letterpress

The plate is inked and pressed into the sheet, leaving a bite you can feel. Soft cotton paper lets the impression sit deep enough to cast a shadow.

  • Paper300–900 gsm cotton
  • Colour1–3 Pantone, hand-mixed
  • Bite depth0.2 – 0.6 mm
Gold foil detail on a floral invitation

Technique 02

Hot Foil Stamping

A heated die transfers metallic foil onto the sheet. Gold, silver, copper and matte colours — the only real answer on dark stock, where letterpress ink disappears.

  • FoilGold, silver, copper, matte
  • FinishDebossed or flat
  • Best forDark stock, monograms
Finely woven white paper surface

Technique 03

Blind Emboss & Deboss

An impression with no ink at all — read only through light and shadow. The quietest way to place a monogram on a cover or a card.

  • InkNone
  • Minimum400 gsm
  • Best forMonograms, covers
Paper swatches fanned out in a spectrum of colours

Technique 04

Edge Painting & Duplexing

Two sheets bonded into one thick body, then colour applied along the cut edge. It is the detail people notice first as a card changes hands.

  • Body600–900 gsm duplexed
  • ColourPantone or metallic
  • Adds+2 working days

Process

Five steps from idea to box

You know what happens next at every stage, from first email to delivery.

Brief and quote

We agree on quantity, paper, colours and date. A detailed quote follows within 24 hours.

Design or file check

We print your artwork or design from scratch. Every file goes through a pre-press check first.

Plate and proof

A polymer plate is made and a single proof is pressed on your chosen paper for approval.

Printing

Ink is mixed by hand, the press is set, and sheets are fed one at a time. A control sheet is pulled every 50 impressions.

Finishing and delivery

Edge painting, sealing and trimming are completed; everything is wrapped in acid-free paper and boxed.

Testimonials

What clients tell us

Lâle has printed our cards for three years. In meetings, the conversation always starts with the paper before anyone reads the name.
Deniz A.Partner, architecture practice
They prepared three separate paper proofs for our suite. We only understood which one was right once we held them — that patience matters.
Elif & KaanWedding, Istanbul
We rebuilt the hotel’s entire stationery set. Everything, including shipping to Amsterdam, landed on the promised date.
M. YıldırımBrand Manager, boutique hotel

Journal

Notes from the studio

What we have written about paper, ink and timing.

Wooden and metal letterpress type arranged in a type case

What is letterpress printing, and why does it feel different?

The 500-year-old meeting of plate, pressure and cotton paper — how it differs from digital printing and when it is the right choice.

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Wedding stationery set with invitation card, envelopes, wax seal and dried flowers

Wedding stationery timeline: counting back six months

From first sketch to wax seal — a realistic month-by-month production calendar for a letterpress invitation suite.

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Two blank cotton paper cards on a pale surface

How to choose the right paper for your business card

What changes between 300 gsm and 900 gsm, why cotton behaves differently, and when edge painting is worth it.

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Let the next impression be yours

Tell us what you want pressed.

Artwork ready or not, send us the quantity, paper and date you have in mind — a detailed quote follows within 24 hours.

Request a Quote